Swedish artist Mamma Andersson is known for her melancholic paintings of private interiors, elegantly executed with her distinctive interplay of textures, and pictorial techniques. This new body of work stages a series of sculptures, whether as part of indoor space, or detailed in closeups.
Inspired by filmic imagery, theatre sets, and period interiors, the compositions of Karin Mamma Andersson (born 1962 in Luleå, Sweden, lives and works in Stockholm) are often dreamlike and expressive. While stylistic references include turn-of-the-century Nordicfigurative painting, folk art, and local or contemporary vernacular, her evocative use of pictorial space and her juxtapositions of thick paint and textured washes is uniquely her own. Her subject matter revolves around evocative, melancholiclandscapes and nondescript, private interiors. In 2011, Andersson's work was the subject of a solo exhibition at Museum Haus Esters in Krefeld, Germany. She had her first museum solo show in the United States at the Aspen Art Museum, Colorado in 2010, and her first solo exhibition in Ireland at the Douglas Hyde Gallery, Dublin in 2009. In 2007, a critically acclaimed, mid-career survey of her work was organized by Moderna Museet, Stockholm, which traveled to Kunsthalle Helsinki and the Camden Arts Centre, London. In 2006, the artist won the Carnegie Art Award, a prestigious prize for Nordic contemporary painting, which received a corresponding exhibition that traveled extensively throughout Europe. Her work was represented in the Nordic Pavilion at the 50th Venice Biennale in 2003. Work by the artist is represented in museum collections that include the Dallas Museum of Art; Göteborgs Konstmuseum, Gothenburg, Sweden; Hammer Museum, Los Angeles; Magasin 3 Stockholm Konsthall; Malmö Konstmuseum, Sweden; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; Moderna Museet, Stockholm; and Västerås Konstmuseum, Sweden