Søren Engsted arranges space in a very concise manner. By letting the volumes and objects, meanings and voids oscillate aggressively, perception and habits are undermined. Seductive and uncomfortable at the same time, his practice confronts spectators with an unexpected, inescapable immediacy. Negative behavioural commands provoke refusal as a form of participation. These are idiosyncratic fields of spatially manifested obstinacy.
